Monday, September 26, 2011

Elles

A Kino Lorber (in U.S.) relieve a Slot Machine Game Game production, in coproduction with Zentropa Intl. Belgium, Zentropa Intl. Koln, Canal Plus Belgium, ZDF Shot Szumowski, Liberator Prods., while using support of Polish Film Institute, Filmstiftung NRW, Deutscher Filmforderfonds, Programme Media p l'Union Europeenne, La Procirep, L'Angoa-Agicoa, with participation of Haut et Court Distribution, Indication Films Intl., Potemkine et Agnes B. DVD, KinoSwiat, in colaboration with Cofinova 7, Arte/Cofinova 6, la Sofica Soficinema 6. (Worldwide sales: Indication, Paris.) Produced by Marianne Slot. Executive producer, Olivier Guerbois. Co-producers, Agnieszka Kurzydo, Bettina Brokemper, Beata Ryczkowska, Reinhold Elschot, Daniel Blum, Malgoska Szumowska, Peter Aalbaek Jensen, Peter Garde. Directed by Malgoska Szumowska. Script, Tine Byrckel, Szumowska.With: Juliette Binoche, Anais Demoustier, Joanna Kulig, Louis-Do p Lencquesaing, Krystyna Janda, Andrzej Chyra, Ali Marhyar, Jean-Marie Binoche, Francois Civil, Pablo Beugnet. (French, Polish dialogue)A typically smart performance by Juliette Binoche isn't enough to keep "Elles" from drowning in pseudo-intellectual pretension and general banality. Featuring Binoche in the characteristic role just like a stressed-out wife, mother and magazine journalist researching the lives of youthful Parisian whores, the fourth feature helmed by Malgoska Szumowska strains to assert that the ladies work within middle-class family existence includes a couple of things that's much like prostitution. Kino Lorber's Stateside relieve french-Polish-German co-production will benefit slightly from prurient fascination with the pic's explicit sex moments, but unaroused testers won't help "Elles" turn techniques laminator tl901 office. While Szumowska and her co-author, Tine Byrckel, hammer home their possibly offensive theory that well-to-do femmes are becoming hookers in the kitchen area area at laptop keyboards, they are a smaller amount apparent on what they desire to express of actual harlotry. Moments in the journalist's collegiate interview subjects satisfying male clients to earn tuition money are lit and shot like perfume ads, whilst the sex sometimes turns disturbingly brutal. Probably the film's point is always that liberation always comes in a cost certainly the viewer pays an expense in watching the higher gruelingly lewd episodes here. Burning the candle at both finishes, Anne (Binoche) is brought to be saddled with two sons -Body (Francois Civil) totally hooked on marijuana, another (Pablo Beugnet) to videogames -- additionally to some pending deadline on her behalf account student-prostitution piece for your monthly Elle. Anne's husband (Louis-Do p Lencquesaing) is not around to help maintain order inside their chaotic apartment, and her senior citizens father (Jean-Marie Binoche) influences hospital. A absurd scene of Anne dutifully rubbing product on Dad's old foot translates her kind of servitude with this particular of her interview subjects, Charlotte now now (Anais Demoustier) and Alicja (Joanna Kulig). The questions Anne asks these youthful women are none too scintillating, maybe because the journalist is distracted by domestic responsibilities that change from planning a night time meal on her behalf husband's boss and, for a while, fighting to seal a jam-packed fridge. Trying to step away from alcohol and keep an objective distance from her subjects, Anne breaches protocol on counts when she'll get sloppily drunk on vodka while using Polish Alicja, each of them laughing with mouths full of pasta before dancing the evening away. The writer continues to be driven to educate yourself regarding her own sexuality becomes horribly apparent as Szumowska ("33 Moments From Existence") follows a scene of Charlotte now now being raped with images of Anne pleasuring herself. Binoche, who exudes intelligence each and every turn, might be incompetent at turning up ashamed on camera, although "Elles" challenges the actor's integrity -- as well as the approval of her fans -- to have an unequalled degree. Tech credits are, like Anne's magazine, glossy.Camera (color, HD, widescreen), Michal Englert editors, Francoise Tourmen, Jacek Drosio music, Pawel Mykietyn art director, Pauline Bourdon costume designer Katarzyna Lewinska appear (Dolby Digital), Andre Rigaut assistant director, Nicolas Cambois casting, Aurelie Guichard. Examined at Toronto Film Festival (Special Presentations), Sept. 13, 2011. Running time: 96 MIN. Contact the number newsroom at news@variety.com

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